November 9, 2015

Guest Post: 12 Techniques for Emotionally Connecting with Your Readers

A writer must have the ability to connect with readers at an emotional level. This requires a certain level of intuition. Establishing an emotional attachment between readers and characters goes slightly beyond the technical factors inherent to quality writing. You will need to think like your reader, or more importantly, like a human being. You are probably already aware of the necessity for a deep grasp on an innate sense of humanity when writing but you may not be sure how to best achieve this level of comprehension.

Throughout my own writing endeavors I have either learned or discovered twelve tactics to aid in the successful association between fictional emotional iteration and real life emotional experience. That experience being the kind we all share as human beings. In fact, for the duration of this article keep in mind that, with the exception of the occasional psychopath, everybody feels emotions in basically the same way.

  1. Setting: 
    • Creating an appropriate setting for a scene is a basic requirement for projecting emotional intensity. The reader will be able to relate as he has likely experienced the mood invoking power of a similar setting in life. An extreme example of this would be a haunted house. The point being that through correct use of color, sound and locale; setting becomes a powerful tool for emotionally connecting with the reader.
  2. Sense:
    • The five senses are our window on the world. Use this fact when you describe how your characters interact with the world you have created for them. How does the wind feel on their face? How does the infant that won't stop crying affect the character? We have all made associations with the world around us based on our senses and most of those associations are universal. Use that fact to relate to your readers.
  3. Time:
    • Time can be a great way to express an emotional state of being. When we are rushed the mood is tense. You've seen the movies where there is only 30 seconds left to disarm the bomb. Conversely, when we have plenty of time we may feel relaxed or bored.
  4. Vocabulary:
    • Vocabulary choice can be a clever way to project a feeling upon the reader without them even realizing. Use powerful words such as "triumph" instead of more plain sounding words such as "win." Also try noting the proper places to use soft or hard sounding words like "rub" vs "scrape." If it will not offend your target audience, then toss an occasional swear word into your character's dialogue. Be careful though, just as in real life, a strategic swear word will indicate emphasis but too many will come across as abrasive.
  5. Transitions:
    • Use scene transition to convey emotions. The safety of an airplane followed by a tense descent and subsequent crash landing. The relief when the reader learns no one was seriously hurt followed by the extreme fear when they realize they crashed on an island full of cannibals. This type of literary roller coaster ride will keep the reader in constant anticipation of the next scene while supplanting their own emotions based on a sequence of events in their own life that may have followed the same pattern.
  6. Realism:
    • All fantasy needs a basis in reality. For real people to connect with your characters at an emotional level your characters will need real flaws. People that seem perfect in real life are annoying and so too will your perfect characters appear annoying in your story. Analyze the personality traits of your characters closely so you can choose flaws and struggles that correspond to a similar personality type in the real world. The reader will recognize this personality type and make a mental connection to themselves or someone they know.
  7. Consequences:
    • The obvious advice in regards to consequences would be to make the actual consequences themselves realistic. At a basic level this means the good guys win and the bad guys lose. Even though this is not always the case in life, we as people can see definite patterns such as hard work paying off and thieves suffering karma.

      The less obvious piece of advice related to consequences would be a recommendation for the use of expressive language to make your reader feel the consequential emotions that affect your character as a result of some action or event in the story. For example, instead of writing: ìCarrie is excitedî, write: ìCarrieís heart began to beat intensely as the adrenaline surge through her body reached her brain when she read that last lotto number aloud. Just reading that example sentence got me thrilled as to what would happen if I won the lottery. Artfully describing a familiar emotional consequence will force your readers to reflect on similar feelings they may have had with an experience of their own.
  8. Milestones: 
    • When you write the interactions amongst your protagonist and the supporting characters, make sure these correlations lay out emotional bonds whether these bonds be good or bad. You want your reader to recognize these bonds from their own life when they are reading about the history of a milestone for a particular character. Those bonds will play an important role in allowing the reader to understand why that milestone is so emotionally impactful on your character.
  9. Allusion:
    • Place little clues throughout the book that give some indication as to what the reader can expect. This will keep them holding on for the next chapter. Occasionally shock the reader with something unexpected.
  10. Choices:
    • We can all relate to an indecisive struggle with choices we've had in our own lives. Give your character a couple of those. Another powerful concept involves forcing the character to choose between bad or worse. Does he or she rob a bank or let a loved one die.
  11. Conflict:
    • Keep conflict constant. Even if it's between and character and himself. Utilize conflict heavily throughout your story. This does not have to be conflict between two characters. It can mean a struggle the character is having in his or her mind.
  12. Familiarity:
    • This tip could also be referred to as history and is really the basis for this entire article. A familiarity between reader and character at multiple facets of being is a definite prerequisite for making emotional connections. The reader must be made aware of a character's history before he or she can truly feel empathy for a character's struggle.

There are many factors that go into writing a great story but perhaps none more important than the ability to emotionally connect with the reader. By incorporating these techniques you will be laying a foundation for building a complex emotional structure for your characters. And remember that establishing real world familiarity for this structure is the most vital element necessary for leaving a lasting impression on readers.


James A. Rose is a writer for InstantPublisher.com, a full service self-publishing company that specializes in transforming author dreams into reality. We have been providing exceptional and affordable service to writers for the past 15 years. No matter what type of book you want to create, Instant Publisher will be with you every step of the way to ensure the process is efficient and painless. We're not happy until you're happy.


Friendly reminder: everything expressed in the post above is a reflection of the opinions of the author, James A. Rose, not necessarily those of Aria Glazki.
Are you interested in guest posting on this site? I'm always happy to feature great content! Check out the guidelines here then contact me.

November 2, 2015

Welcome to NaNoWriMo!

It is officially National Novel Writing Month! Have you started your story? How is your writing going?

I've had a few very different discussions about writing in general and during NaNoWriMo specifically lately—with writers who question their ability to write at all, to those scared of the stories inside them, to those who (at least for now) have it all under control. And every single one of them started a new story November 1st.

For a whole host of reasons, NaNoWriMo can be intimidating or terrifying. Sometimes, we're simply scared that our stories aren't worth the effort. Sometimes we must confront our guilt for the sacrifices we make in other areas to make our writing a priority, if only for  a month. If you're feeling that way, or you'd just like to listen to a great talk on the topic, please check out the video below. (Special shout out to Jennifer for showing me this video!)

And if you don't want to watch the whole video, just remember this:
"It's OK, it's great, it's important to make your creative self a priority."


It's not too late to join the challenge that is NaNoWriMo! Learn more and join in on the craziness at NaNoWriMo.org.

October 30, 2015

Flash! Friday: Prompt #3-47

It's Friday! This week's Flash! Friday prompt was, appropriately, based on the book Frankenstein. Requirements were a 175-word story (+/- 10) with two of the following:

  • Conflict: man v self, man v society
  • Character (choose at least one): a cowardly scientist; a man-made, sentient creature; a hapless fiancee, an oblivious optimist.
  • Theme (choose one): forbidden science, danger of the pursuit of knowledge, fate v free will, secrecy
  • Setting (choose one): Romantic-era Europe, a laboratory, a ship voyaging in the Arctic, ANYWHERE STEAMPUNK!

Thanks as always for your thoughts!

One of a Kind

Neeasha stopped before the mirror in the entryway, settling a purple-and-gold felt hat carefully on her hairdo. She tilted her head this way and that, ensuring today’s choice adequately hid her horns.

Her tail slithered up her back, twining around the spikes between her shoulders. A heavy jacket covered the resulting bulges—and the blinking cuff on her forearm. After a last glance at her reflection, she picked up her bag, stuffed her scaled hands in her pockets, and headed out the door.

“You are not alone!” a flier advertising counseling screamed at her as she walked past chatting groups and entwined couples. She paused at the entrance to Stein’s Science Center, staring for a second at their smiles.

Three stories below, behind seven different locks, the cuff clicked open. She stripped to her underwear, letting her tail unfurl and stretching, maroon claws scratching the ceiling.

Beeping monitors surrounded her, waiting. At least he let her sleep elsewhere now.

“Why can’t I take one of the classes?” she asked the man behind the glass.

“Maybe in the winter,” came the daily reply.


(182 words, using a man-made sentient creature, and secrecy)

October 26, 2015

3 Questions You Might Be Asking About NaNoWriMo

As I wrote last week in a guest post (you should definitely check out) about how National Novel Writing Month helped me become an author:
"National Novel Writing Month is a personal challenge. It’s terrifying and difficult. And in my experience, very rarely is it as exhilarating as other people say. It means sacrificing sleep and sometimes personal relationships (which do recover!), and it’s definitely a battle—not to give up when you don’t meet a word count goal, to push through inevitable bouts of writer’s block, to make those necessary sacrifices. To reach 50,000 words. 
... [But] NaNoWriMo 2012 started me on the path to becoming what I am today: a published author. Most importantly, it proved that this crazy, unthinkable, incredibly intimidating thing—writing 50,000 words but also writing a novel—was something I could do. 
Now when I hesitate, when I struggle, when I feel stuck and hopeless in the middle of a draft, I get to look back and rely on the fact that it’s something I’ve already done."
Trying to write 50,000 words in 30 days is a little crazy, and it's more than a little intimidating. And yet all over the world, on November 1st, people will start doing just that. What about you? Are you considering trying this challenge for the first or tenth (or whichever) time?


If you're not sure, here are three questions you may be asking—and better yet, answers to all three!
  1. Should I participate in NaNoWriMo?
    • Yes. Pretty much, if you're asking yourself if you should try this, the answer is yes. Regardless of if you write 2,000 words total or reach 50,000 in the first two weeks, NaNoWriMo is transformative, whether you treat it as a personal challenge or your goal is to become an author.

      This is the marathon of writing—some do it to prove they can, and some do it because writing is their passion, but whatever your reason, the experience (even if you don't "win") will impact your life, in a great way.
  2. But it starts this weekend. Isn't it too late for this year?
    • No! Unlike running a marathon, you don't have to prepare and train for NaNoWriMo. Some people do, spending the first ten months of each year planning their stories, but many people—including me!—just start typing and see where it takes them.

      If you give yourself the freedom to write, even with no idea of where you want the story to go, you might just discover an incredible world and wonderful characters who've been waiting for you to create them. If you decide to participate at the last minute with no idea where you're going, you're not alone. Join the many pantsers who write just that way, and see what you can create!
  3. I have a bazillion life commitments in November, and there's no way I can hit 50,000 words. Is it even worth it to try?
    • Finishing NaNoWriMo brings with it a sense of accomplishment, absolutely, and looking back at the sometimes grueling month with 50,000 brand new words is incredibly exhilarating. But at its core, NaNoWriMo is more about making the time and commitment to write than it is about your word count. Is it less of an accomplishment to run a 10K than a full marathon? I suppose if you're an Olympic runner, the answer might be yes, but for us mere mortals—definitely not. So does it not count if you write 20,000 or even 10,000 words in November rather than reaching 50,000? Absolutely not! And really, for many of those hesitant to try, the question isn't 20,000 or 50,000. It's 20,000 or none. And 20,000 is infinitely more than none.

      So while life absolutely gets in the way, and only you can decide if attempting NaNoWriMo will make you committed to your writing or so stressed jumping off a bridge sounds like a good idea*, don't let the fear of not "winning" prevent you from participating.

      Whether you write 10,000 words or 150,000 (yep, a NaNo writer in my region bangs out about that much each November, making the rest of us feel woefully inadequate), the reminder to prioritize your writing, to give yourself permission to carve out time for it amid all those other responsibilities, will still be worth it.
      • *If attempting to squeeze NaNoWriMo into your life will make you so stressed that you'd rather jump off a bridge or something similar, please take November to carve out some time to relax and do something to restore your sanity instead. Read a book, go have drinks with some friends, go for a hike, get a massage—make time for you!

*Bonus* Now that you know why you should participate,
check out my 9 Tips for NaNoWriMo!

October 19, 2015

Marketing is My Achilles' Heel or: Help, Please!

I am horrible at marketing. I try, really I do, to fake the confidence and push past my introverted side to promote my work. Because I've learned, like many authors lately, that if I don't do it, no one will. Not my publisher (for my first book), and not my friends (unless I pester them incessantly, which I don't feel comfortable doing). Sometimes it seems that even paying for marketing pros doesn't get me anywhere. 

I'm so used to staying quiet—at work, in school, anywhere—and letting my work speak for itself. Historically, that has sometimes meant even putting my job in jeopardy, when people would lie about me to my bosses. Idealistically, I kept on believing that the truth will out (and in some cases it did), and that my passion and dedication would see me through. 

Until I became an author. I know I have to do more than put my book out there, and I'm trying, truly. But I haven't learned to be an effective marketer yet, it seems. So I'm asking for your help!

To celebrate the 2-month anniversary of Mortal Musings, I'm running two special offers, and I'd really appreciate it if you could spread the word. And thank you in advance!!
  1. Mortal Musings is available for just $0.99 on Amazon for this week only (through Oct 25)
  2. Autographed print copies of Mortal Musings are for a limited time available with free shipping via my Selz store!
    Use coupon code: 4IGS5RU2 or this direct link: http://selz.co/1QxpFsB

October 16, 2015

Flash! Friday: Prompt #3-45

Rare but not impossible to spot: a Flash! Friday story by your truly!

This week's inspirational novel was Moby Dick, in a 100-word story (+/- 25) with two required story elements from among:
  • Conflict: man v self, man v nature (not gender specific)
  • Character (choose at least one): a wooden-legged sea captain, a pacifist forced to help with someone else’s revenge, an easygoing storyteller oblivious to danger, a chief’s son/prince working on a ship, a mighty whale.
  • Theme (choose one): revenge, fate v free will, the power of Nature, friendship, the cost of obsession
  • Setting (choose one): a whaling ship, a sea port, an island, the middle of the ocean
Added inspiration is offered in the form of this photo (though its use is not required):
Naufragos/Shipwrecked. CC2.0 photo by Luis Marina.

My story is below, but you also have time to write your own! Check out all the guidelines here, and let me know what you think!



At Any Cost

They left me.

Dozens of years of research brought my team here. The sound of the ocean, the sandy beaches and devastating cliff faces, the squawks of local avifauna… None of that matters.

They followed me, yes, but they couldn’t see that.

The Fibonacci sequence, Occam’s razor, Knot theory—it’s all about the numbers. They did it for credit, for research…for resumes, or a trip to the island.

Blind, oh so blind.

Vines bend to my fingers’ will, and I etch my numbers into the sand, surrounded by the stench of flesh.

I’m always there—almost there. I’ll find it.

They didn’t believe.


(103 words)